The duration of full program of performance is 45 minutes.
The base of program make up numbers with sharp swords, a dance on broken glass, weightless steps on the lamps, fire show.
Acrobatic numbers, rotation and juggling by trident, demonstration of traditional complexes with pole and double-point lance are in program of performance of our group.

It is possible to arrange small programs which duration is from 10 minutes.
• work with glass: dance, juggling and acrobatic on glass;
• fire show;
• demonstrating of separate numbers and special selected programs.

Our group takes part in concert programs, performs on the open grounds, in clubs, on the corporate arrangements, celebrations, presentations. Main staff of our group is 6 people.

Group “TANGUN”

Traditionally the performances of our group begin with a carefully considered ritual, then follows demonstration of sharp sword, which sharpness every interested person from public can check. A sword is so sharp that it can shave hair and cut a bandage, and one member of our group demonstrates it to spectators. We put a weapon into fastenings, and a performer of first number goes on dangerous blade by bare feet , does “strike on one foot”, and stamp on a sword with force.

  

Next number some “experts” of fighting arts call as “a Chinese cross” and consider that peoples, who are able to do it, stay only in legends… The performer puts his forearms on the two sharp spears, which are vertical standing, and his legs puts on a sword’s blade. But that’s not enough… We put a stone slab on him and break a slab by sledge-hammer.

There are two directions in Ki-Hab: “light” Ki-Hab and hard mastery. But this division is very relative, because techniques and methods of both directions are necessary for harmonious development, and external work always goes with internal work. Movement serves for creation necessary internal condition, which, in its turn, allows to do external work correctly and effectively.
Hard mastery allows demonstrating ability for resist pressure of cutting edge or spike of cold steel, to endure fire and cold influence and so on.

***

   

The next number concerns to hard mastery. Interested persons from public are asked for checking how sharp is double-point, double-edged lance. Then the ritual begins and two performers of this number, standing face to face, put spikes of lance in their throats, concentrate, bend a shaft and in this attitude go round the circle. After that, they come to initial attitude, drop a lance on their stomachs level, and once more, resting on spikes, they bend a shaft again. Before public’s eyes the girl breaks sheet of glass by bare foot, goes and jumps on a pile of broken glass barefoot, and after this falls on fragments of broken glass by her naked back.
Rotation of pole and doing of acrobatic elements on broken glass are in this number too.

  

A long and sharp sword appears on a scene. A girl clenches it in her fist and asks somebody from public to fix her fist by tight bandage. A girl slowly pulls fifty-centimetre sword out of her tightly bandaged fist and demonstrates her clear, not injured palm to the public.
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